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March 22, 2006

Ivan Hope

Perhaps, I should tell you about my wife. Forgive me if I do not name her. There is no real need for you to know her by name. I think that it is better this way. Of course you know my name is Hope, so if you wish to learn her identity then it would not be a difficult thing to discover. However, I beg you not to pursue us. This is my attempt to reach out. She knows nothing of what I write. Some men have mistresses... I have this.

Mrs Hope is not a beautiful woman. I resigned myself years ago to not attracting a movie star. She is dour, but there is solar activity behind her grey eyes. I have one child. She is five, she has inherited her mother’s looks. However, I have discovered that the young are beautiful, no matter what misplaced genetics have done their alchemy. Love is not resigned to life's more dazzling landscapes, this is why many of us live in cities.

My wife works nearby. She works for a small business who rent a space in an old railway station. She rarely has to catch a train, unless she is visiting friends. She grew up here and is the only one left behind. I am not from here. We met by accident and I came to join her.

We have been together for seven years. Our daughter was planned. There were complications at her birth which means that we can never have another child. The doctors failed to notice that she was a breach. It is too expensive to scan the womb as there has to be a technician present. When she was two weeks overdue we went to hospital expecting her to be induced. It was not to be.

The next day she was give an emergency Caesarian. My daughter was born at 11.59 am which meant that she only had to remain in hospital for three days. Had she been born at 12.00pm then she would have had to spend four days on the ward. It didn't matter to me.

Later that afternoon I returned from a walk to find a terrible fuss. It was a television drama taking place around her bed. She was dying. Here face was a light purple monochrome, all other colour filtered out by the nurses and doctors in order to be analysed later. Nothing was said to me but someone did have the grace to place my daughter into my arms before they rushed my wife away. It was then that I realised just what she meant to me. I did not want her to become one of the voices or apparitions.

They gave her an emergency operation, to stop the internal bleeding. A stitch had come loose. When she came round she had no idea where she was. Her eyes were big ice crystals, which reflected the light and she was in there, trapped in the cold.

*****

I have been away. Went to Wales. St Davids by the sea. It was grey, mostly, but there was a little sunshine. Arrived back yesterday with my wife and daughter. St davids is haunted. Over the summer you would never notice. I think because the phantoms dislike the presence of tourists. They re-appear at this time of year and simply put up with the surfers. There is an old cat there. My daughter played with it. It's more of a cushion really.

Getting back to London was a shock, today especially. The tube seems more claustrophobic. It was hot and close. Going underground is like disappearing down a plug hole, the rush of people takes you off your feet, you get crushed and you can't breath.

Today I sat next to two young Asian men and their bags. One of them had two text books about circuit boards. His bag may as well had wires sticking out of it. The books were a sure sign. There was a mother with an infant. Their presence was reassuring. They got off two stops before mine, but I got off with them. I didn't feel comfortable.

Work is in permanent snapshot, the colour of everyone's clothes might change, but each day is much the same as the last. You turn grey as walk through the doors and check in with security. It would be better if the colour was mat black because then at least I could be a beetle with robotic pincers.

I log the termination of lives. Welcome all you lost souls to my portal window. There is no eternal peace, but now that I have your name you are quite clearly categorised. Its good to be on a list. At least you are there, someone can find you by reference, and what is more judge your final hours. Its very important how we die. That's why I couldn't die on that train today. That would have made my life pointless. I didn't choose for these circumstances to come about. Death should be a termination of a full life, at least that is what it should be. I realise that sometimes life might get pipped a little quicker than is fair. Poverty can accelerate all this, and there are no sweet talking natural causes once the body’s mind is made up.

I thought about this a lot whilst staying in Wales. The wind would whip along the coast, blister you over the cliff edge. One day I even caught my daughter by her feet as she took off. She was a young Mary Poppins and nature was showing her what power it could bestow unto her. Nature's non industrial ideology. The sea crashed against the rocks. It was giving cardio to the land. All this makes sense. All this can be harnessed, hoist that sail and we will get there, you know?

In the office there is the same clatter of keyboards, the same whispers which circulate via the air conditioning. I'm sure this is why some of us get a little edgy and sick in the head. It's those nasty little whispers disseminating like germs. We all get jaded, our hearts boiling in our own distress.

My bag was searched today, this morning, when I arrived at the office. Bob, the guard, was agitated. He is normally jovial but today his pallour had that spread of harassment. He must have been a big mighty ball of red in the shower this morning.

There is a general unease. Everyone was unsettled at their desks. I gather something has happened. I asked Deidre.

"It's another scare, Ivan."

"Another one?"

"Isn't it terrible. I just don't feel safe."

I looked out of the window. It seemed too warm for October.

I have determined that Stokes is aware of some impending disaster. He is ginger. Too ginger for my tastes. A little too flash for the times. I am not sure what it is that he knows.

We have been transformed at work. What I see on my screen is nothing new but the presentation is crisp. It runs smoothly but the colour screen is too bright for my purposes. I have thought about asking them to turn it down, but the colours are new. They could be flowers for a funeral. My screen used to be grey clouds. It enabled the process.

Today I have put through fifty names. It has been productive. Not everyday is the same as often I feel worn down. The list of the dead and what it is that has taken them. No-one ever mentions old age. There is no such thing, I am sure. Cars are crushed before they are worn out completely. They keep them going in Cuba, I am told.

Margaret's son is too young to be a claimant but she is pleased that he is going to fight. If he survives long enough then he might be eligible of some sort of payment if they bring him back dead. This will all take time but she is aware of the intricacies of insurance which she claims is a blessing. If he dies her memory of him will be worth less than the certificate.

I think I preferred the whole system before. It was more sombre. My monitor was grubby. Lived in. When I put people away it is important that they are placed somewhere that has a sense of companionship. My sceen looks into the waiting room, on a name before it makes that final journey into pay out.

Because of the way I hunch at my desk I am aware of my skeleton. I am a companion to the reaper. There are many of us. This new bright screen is fireworks. Its celebratory. We have arrived at the end. It is the end of the process, the final party.

My names are silent. Doctors have filled in the forms. I process. It is not for me to make decisions or judgements on each of the cases. I decide nothing of merit. There is no merit in death. Margaret has opinions. She shares them. Sometimes we crowd around her screen to be more fully informed of her gossip. Margaret is very strict about how we represent our clients. The information we input must be correct. There is no room conjecture. Our opinion, as a rule should be slanted in our direction. Our sentiment should be hooked on the outside wall with our coats, our jobs depend on it. Insurance is funny like that. A substancial number who die wish to leave something for those they have left behind. It is not our concern. Each case is assessed on it's own merits. I often favour the dead. Margaret, who is my superior, is very clear that such empathy is unprofessional. It is not our jobs to grieve. Grief is for those who were involved in the person. She insists that pictures that depict some horror should not unlock our sensibility for they show us something which, ultimately, we are detached from. She loves her son, even though I think she will be glad if he dies. Death is welcomed if it has a purpose. He now has a purpose in his life. She tells me that he is now worth while. He has finished wandering, which many youths do. They spend a little time lost. He is no longer lost.

Stokes patrols. He is good natured, and wears clothes which would blend in well on a golf course. He insists that we should be spendthrift. He has recently awarded a pay increase and given us a good deal for our new phones. Communication, he insists, is everything. Stokes insists that we all drink after work together. Our office is generous and we never pay for a thing. I like to have three pints, but usually settle for two and make up for my abstinence at the weekend. At four o'clock on a Friday the office is shut and beer is bought. On a Friday afternoon, if we choose, we can drink as we work.

I am sure that Stokes knows something we don't. It didn't use to be like this. The screen on my phone is so bright I can use it for a torch.

It is hard sometimes to think about the future when I spend the day tapping in name after name, reason after mortal reason. We come, we pass. I read everyday that we are burning up. That before long we will be extinct. Our trees are ploughed up. Our water polluted. The air above our heads poisoned.
I am sure that if we could move house it would make all the difference. A new environment would be an asset. A new future. Future is everything. It is important to have something to look forward to or something to give reason to living. Variety is the foundation of modern life. It is vital to keep adding more into ones life to keep one enthusiastic.

My wife and I would have liked to have had another child. She even got as far as getting pregnant. We did all the planning, as it should be, but nothing can prepare you for a surprise. My wife went to the doctor and was then referred to the hospital.

It was the Royal Free Hospital. Down in the bowels, past the AIDS test room. My wife and I walked past a couple awaiting results. They were chatting quite pleasantly. I don't suppose there is anything else to do there. It was a small cut out square in the corridor. There were no windows just a lot of yellow ill air.

Before I go on, we were walking towards the abortion room. It's tucked away in a place without light. I kid you not.

So how do I justify or really do I need to? My wife was nearly killed by the birth of our daughter. We ain't kids anymore, my wife is over forty, so the prospect of a disabled child is higher. It wasn't planned. But mostly my wife was nearly killed.

It was past the AIDS smell of the hospital, under the spiders lid, the flip that takes you down as prey.
In a small room we sat cramped with other couples. There are magazines in the corridor, a library of affairs underneath posters advertising the morning after pill. So far it was easy. Natural. It was just an appointment.

In ancient days unwanted children were put inside pots and placed on hillsides. In China they leave them to die outside the train station, or at least they did. Now they have abortion gangs. They kidnap mothers and force them to give birth to still borns. There is no reason to attach anymore.

I'm not sure if human life is sacred. How can I be? There is flagrant abuse of it. Orders can be given which wipe out small handfuls in an instant, whilst a family elsewhere sues for a woman, who cannot breath on her own, hasn't spoken or communicated in years. A president can join in this fist fight as he opens his bowels on another country. No, life is not sacred. It is rather some thing that we vitally cling on to, and because it is our only one we attribute it a sense of importance that it doesn't deserve. By me stating that I believe that life is sacred, including yours, then perhaps you might not try and put an end to mine. We are not sacred. There is nothing sacred.

I was sitting there next to my wife. We were both quiet. I had taken the day off work. A day away from the list of names I type into the vaults of the dead. And there I was ready to flush a new life away. It is not yet human. I am unable to qualify what I mean by this term. What is human? Is it a thing with legs and hands, a head and a heart. Does it mean we are metaphysically significant. Are we an idea or a being?

My wife was examined. It was all fine. The feotus about six weeks old, except it was not a feotus, it was not a baby but a handful of cells. The doctor was humourless and tried to palm us off with contraception. We were made to feel sufficiently stupid. Sufficiently. And then sent off for a scan, to determine the age of this collection of deviding cells, this petri dish of life.

The day was punctuated by waiting. Each second meant that the cells had been added to. Each long wait was an extra moment of its existence, more potential memories of future things popping into being. However as yet it is was not cognitive. Any form of personality would be an invention. Any qualities that we would attribute to it would be a fabrication. It would be our fantasy as parents, fantasies we had purposely nipped in the bud.

Again what is a human being? Is it defined by physicality, or action. Often, as a species, we act inhumanely but what does this mean? How can I be a human and act inhumanely? I can only be human.
When did I become human?

In the waiting room for the scan we were taken care of by an 82 year old man who was in great shape and good humour. When someone commented that he was in great nick he replied that he keeps the wife happy. We all laughed at this old man. Perhaps he was an accident too.

They made us watch the scan. It was like watching a radar of a hurricane storm and there in the middle a heart beat, like a solitary ship at sea fighting the storm that would eventually sink it.

Well it has been done. On Monday. It was done and we went home and we took our daughter into our arms and hugged her. Hugged her hard, as if to mould the dead one into her, like a piece of clay that had fallen off her moulded body.


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March 20, 2006

A letter to Tony Blair

I've just written a letter to Tony Blair. I was going to write another chapter of my Jimmy story, but I am so annoyed, after watching Channel 4's Dispatches, by this fiasco in Iraq, annoyed by the lies, the deceit and the corruption of my government and its collusion with this evil American administration. I shouldn't think he will read it. His advisors will bin it. And even if he did he will discount it - his conscience clear and if it niggles it won't get the better of him til the fantasy of the after life.

Dear Tony Blair

Having just watched Channel 4's Dispatches on how billions of dollars of Iraq's money has been lost, stolen and generally mis-managed over the last three years I am more than a little distressed. Hospitals do not have resources to treat people. People of all ages are dying unnecessarily. I am at a loss as to why. Perhaps by now I should be accustomed to feeling this way, it is after all three years since the invasion took place. It is longer still since that dreadful period of lies and more lies which sent us on this road. Yes, by now I should be numb to this, yet I cannot soothe my conscience because I voted for you.

I voted for the king of liars, a man who somehow can persuade that he is honourable, that his intentions are honourable, that he means well whilst all the time he colludes with the shadows. This is what you have done. If deceit is the foundation of a character then there can be no honour, Mr Blair. If lies are the basis for a war for democracy and truth, then only chaos will result.

I am not a religious man, I do not believe that God will be my judge. I do not defer payment for my actions into a time after my death, it shocks me that you do. I believe that when we die we die. There is no final judgment, no eternal life in which we account for our discretions. This is our lot, this one life, this one life that is being robbed of these people suffering your war. And please don't remind me what a tyrant Saddam was because our governments colluded with him, lied alongside him and profitted by him. In many ways you are no better than those misguided individuals strapping bombs to themselves. We dismiss them as dangerous fantasists, we claim that their God does not exist, that their God is in fact peaceful. Fellow believers jump up to shout that their vision is misguided. And you through your desire to bring about this unjust war have ordered the deaths of thousands. You insulted me when you claimed that God will be your judge. Why am I surprised at you, you are in bed with a ‘creationist’? Give these people their lives.

And then last week the lies continued. Does it not strike you as strange that in a week when over 400 people are murdered in sectarian violence your government can announce that the situation on the ground has improved enough to enable the withdrawing of troops?

Each one of your lies painfully reminds me that I voted for you. Each lie whips my conscience. To quote Bunuel, “Thank god I’m an Atheist.” You Tony Blair, man of faith, are a liar. A liar.

Last week, on a trip to Rome, I was reminded that Rome was always fighting some conflict in the name of Roman Peace, Pax Romana. I stood looking at Titus’ Triumphant Gate and the carvings of the sacking of Jerusalem’s temple. How painfully current it was. You have set us on the road to an eternal war. That American clown has put a red nose on you. God won’t judge you, but history will.

March 15, 2006

The Light King

This began life in a play The Fantastical Adventures of Leonardo Da Vinci, which I wrote for my friend Phil Morle when he was working in theatre in Australia before he became CTO for Sharman, developing Kazaa and things. This play was commisioned by the International Festival Of Perth. I later re-wrote it and re-named it Renaissance, this version toured throughout the UK in 2000. Anyway this little story is a frivolous tale that was written to explain how light moves, contrary to common belief of Renaissance Europe, that light was projected from the human eye.

In the play Leonardo developed this big performance for the Medicis who were playing host to the Pope. The historical Leonardo Da Vinci did in fact create these amazing masque balls which were extraodinary visual extravanganzas. This story was one of the sketches for that party scene which would outrage the puppet Pope. I suspect that I am trying to explain too much, as this story stands on its own.


The Light King

There was once a King who was so inspired by light. He would spend many hours of the day contemplating it. It would flood over his skin, dazzle him with wonder and when it was cold it would warm him.

On a particularly fine day, when the breeze was soft, an ambassador arrived at the court.

The King was, as always, naked that morning, his soft golden body taught with pleasure, his member saluting, upright, with a bright red imperial helmet. The King saw him enter at once and cried out - “I am being lapped by waves of light! It’s extraordinary, really quite extraordinary.”

The ambassador was a little taken aback. He had seen personages of much importance semi-clad or at most part way naked, but never a royal emblem of such stature and vigour shamelessly indulging himself.

The King by now had bowed his body into a rich, red smile and with one enormous shudder sent small white bolts of lightening over the turrets which flashed and cracked over the crowds which had gathered below.

When the King had quite finished, he turned to the ambassador, whose mouth was aghast and said, “I love the way it bounces.”

The ambassador’s eyes widened.

“The light, man, the light. Have you never noticed how light bounces off objects? I first noticed it when I was a child, dancing on the pillars, through my sheets, around the doorway, and enlightening the key hole. Before I knew it - I was in love.”

The ambassador was shocked. He had ridden like the wind to inform the king, as was the custom of those parts that his people, from the other side of the island, wanted a war.

“Don’t be shocked. I know why you are here,” reassured the King . “I was with you when you left yesterday evening.”

The King appeared behind the ambassador, putting his arm around him. “I surf light like a wave, I travel the length and breadth of the world in less than an instance, in-between words I circle the moon - I arrive as I leave. I am never still”.

The ambassador ran, fell, tumbled down the steps of the tower, only to find that the king, now fully clothed, was waiting at the bottom with a fresh and saddled horse. He mounted his horse to find himself in the court of his own king, an ugly man with a large belly, to hear the Light King begin a poetic speech on peace.

The court of the Fat King was flabbergasted. The light king flashed magically in several places, it seemed, at the same time. Many flashes later the Fat King, who suffered from a bad heart, was dead and many young, healthy men had grey hair.

The Light King arrived home, at the moment he left, and a great and bloody war had been stopped before it had time to start.


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March 2, 2006

ANATOMY - God’s Design Can Be Improved Upon (An extract from Renaissance)

Leonardo is waiting for Marcello to die, his bag of instruments for the dissecting of bodies lies at the foot of the bed. The old man has no hair. His eyes are dark and sunken. His limbs are taut and thin, his skin wrinkled leather. Opposite his bed is a mirror, which distorts the old man every time he moves. It could be a torturer forcing him to shrink and stretch. It emphasises his suffering. Marcello is dying with energy.

Leonardo, a man in his thirties, behaves as if he is simply waiting for his friend to leave on a long journey.

Salai, a lad of some fifteen years is holding a lantern. He watches silently.

When Marcello speaks he spits through the pain, “make sure you don’t start without cleaning me. I have seen the mess the bowels make of the dead. My body is a good body. It has worked hard for me.” For a moment there is boiling water in his belly. The mirror racks him, as his form contracts. When the pain has stopped he needs to know about his body. “Will it tell you my story?”

Leonardo is gentle, “it will tell me a story. I know already how it might work. I will have to be careful where I cut for your body will still be liquid. It will bleed. Because the heart has stopped it will not pump blood, but a pocket might get trapped and there might be a build up of pressure. The first place I will go will be your lungs, because sometimes air gets trapped, and you might breathe out."

Marcello is shocked out of his pain, “my lungs will still breathe?”

“No,” smiles Leonardo, “when you are dead your body is like a set of abandoned bellows, air gets trapped.”

“Life will be trapped in me?”

Salai glances at Leonardo who is unperturbed. Death is normal.

Leonardo smiles a teachers generous smile. “There will not be life in you. But trapped air might make your body breathe out. As this air rushes passed the vocal cords it can make the body groan. That is the way the body works. Your lungs are a machine. When the machine works without the master, it is disconcerting. Especially at night.”

Marcello understands although he refuses, deep down, to believe that the body is a machine. He keeps this to himself, that the body is the temple of the soul, for Leonardo is a learned man.

The old man’s pain becomes a winter freeze. He stiffens his body to the ice wind, “I have been to war. I have seen men survive the very worst injuries. Will my body be buried?”

“If you wish.”

“Yes I wish. Will God be able to fit me back together when the great judgement comes.”

Leonardo does not believe in God. He does not begrudge the man his faith, on the contrary, he recognises that for many, the vast majority, the need to have purpose in this life makes it bearable. The promise of something better once the drudgery ends makes it all endurable. He knows, too, that faith can bring peace in the midst of fear and comfort at the hour of death. He re-assures Marcello “I am sure that God will be able to give you a new body.”

The old man’s pain rises up into a fury “I do not want a new body. Mine is a good body. It has worked hard all its life.” Leonardo takes his hand, which calms him, a little twinkle appears in his eye “I would rather that my body could be renewed - it used to look good when I was young, I never had a problem. I didn’t like the cold of course, but then who does?” He smiles, “I can see you wish me to go. Nothing holds up a man quite like conversation.”

Leonardo is looking at the candle, noticing how much it has shrunk... “No really, take your time. I’ve got all night.”

The old man’s chest rises and falls. Rises and falls. “When my body dies what will happen?”

Leonardo creases his brow for a moment, “slowly the temperature will drop. You will probably be stiff in a couple of hours. While the body is stiff your flesh will not petrify. You will not decompose for thirty six hours.”

“Will that make it hard?”

Leonardo does not know quite what to say.

“Will that make it hard to take me apart?”

“A little stiff perhaps.”

Marcello grabs Leonardo’s hand, “when you get to my heart, please be gentle with it. It was in its time a good heart. It gave a lot. It wept, it toasted many ladies. It enjoyed the company of men. It loved a great deal. When you get there be kind to it. Will it still feel? I mean, can I feel after my death? I have heard it said that the body remains in spirit form long after the mortal body disappears. I have also heard it said that it is possible to bring the body back.”

Leonardo yawns. Salai looks at the floor.

Marcello goes on, “I heard this story of a saint in Spain who had only one leg. He went on a pilgrimage and slept a night in a church. When he awoke his leg had grown back. Unbelievable. And of course there is the story of Lazarus whom Christ brought back from the dead.” The old man’s face broadens into a toothless smile, “this would, I think, disappoint me... to come back with my body as it is now.”

Leonardo smiles.

Marcello’s age suddenly becomes very kind, “you have a good smile, son. I hope that when you cut me I do not groan, as you have described, and scare you. But then it might make a good tale - how the old man breathed after death - one last attempt at life - or perhaps God breathed in him one last time but it was too late for the great Leonardo da Vinci had taken too much apart, for in trying to understand he had destroyed.”

“I feel restless. My chest hurts, and I feel tired. You have a strange look in your eyes. I do not think that I could do what you are about to undertake - I am not sure if it is a natural thing that you do... Will you be able to bring me back... I feel cold.”

“I do not want my body scattered to the winds, Leonardo da Vinci. You put back what you take. If what you do is right then my soul will not suffer. Remember that Marcello the Beggar gave you his body so that he could die in a bed. That in his life he suffered but knew that death is the one moment when dignity must be found. When the priest comes you tell him. You put back what you take. Be diligent and do not waste the opportunity that I have sold to you.”

“Jesus, I am cold. I am trying to die. Take my hand. Don’t cut me until I am dead. What you do with my body after my death - that is your business. I will tell the creator I had no part in it. Shit. You know what is in the body; stop this. Make sure you don’t start without cleaning me. I have seen the mess the bowels make of the dead. Catch my soul... Catch my soul.”


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