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    <title>Xavier Leret</title>
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    <updated>2010-07-19T21:48:08Z</updated>
    <subtitle>

This is my working notebook.  You will will find lots of works in progress here and not much of anything finished.  I also go through great long periods when I don&apos;t put anything up, I don&apos;t know why.  It&apos;s not that I am not writing or anything like that as I never stop.

I am of Hispanic, Cuban, French and also, apparently, Jewish and Arabic stock although you would never tell as looks-wise I have inherited everything from my mother’s Irish, North-of-England roots.  My family on my father&apos;s side were all taken out on the first day of the Spanish Civil War and shot.  My grand-father survived the wall three times only to die of a smoking related illness in 1977.

I have written, directed and edited two feature films.  The first, MINE, is about two journalists and their Serbian Militia guides stuck in a Yugoslav minefield.  Dark and brooding, MINE was selected as a breakthrough movie for LUFF 2007.  I have just completed my second feature, KUNG FU FLID (or as it is now called UNARMED BUT DANGEROUS), an ultra violent and controversial flick about a short armed Kung Fu master battling brutal East End Gangsters in an attempt to get his daughter back.  The  stars the Thalidomide actor Mat Fraser, Frank Harper (LOCK, STOCK AND TWO SMOKING BARRELS, THIS IS ENGLAND) and Faye Tozer (of Steps fame).  It was produced by Terry Stone (RISE OF THE FOOT SOLDIERS and ROLLING WITH THE NINES) and is currently streaming at www.filmlounge.com.  It is due for worldwide DVD release in September and is distributed by Anchor Bay Entertainment.  Not one for the faint hearted.

For fifteen years I was the Artistic Director (and founder) of the award winning KAOS Theatre.  Writing credits include an adaptation of Bulgakov&apos;s THE MASTER &amp; MARGARITA (nominated for the best production on the Dublin Fringe and an Edinburgh Fringe First), THE FANTASTICAL ADVENTURES OF LEONARDO DA VINCI (a commission for the International Festival of Perth, Western Australia), RENAISSANCE (a Millennium Award Winner), THIRST, ALICE, CALIGULA and SWING. 
  
Directing credits for KAOS include all the above together with THE IMPORTANCE OF BEING EARNEST (Winner of The Stage Award, Best Ensemble, Time Out Critics Choice) VOLPONE (Nominated for The Stage Award, Best Ensemble), TITUS ANDRONICUS and RICHARD III (nominated for a Manchester Evening News Award).   
I am working on two novels,  BLOOD RUN and REDTUBE (working title on this site is CARING FOR DAISY BYATT).  I did a stint as a ghost writer for an award winning ‘gay for pay’ male sex worker but I got fired because I felt the truth was far better than the fiction.  The book that I had nothing to do with is called WHAT WOMEN WANT.
In 2007 I performed extracts of prose work at the Folkestone Literary Festival alongside writer Tim Arthur and had supper with Terry Jones. 

I have taught theatre practise all over the world and have led educational projects in schools, colleges and universities.  I am a Jackson Fellow of Birmingham University.  I am going to do the MA in Creative Writing at Birbeck, Uni of London in September.

I live in a quiet Hertfordshire village with my wife and three young children.

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<entry>
    <title>Standon Calling</title>
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    <published>2010-07-19T21:34:44Z</published>
    <updated>2010-07-19T21:48:08Z</updated>
    
    <summary>How long has it been since I last posted something? Well, I am reading some work at the Standon Calling Festival, (6-8 Aug) a really lovely lovely shing ding and it looks like the weather might be humdinger too. I&apos;m...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="News" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>How long has it been since I last posted something? </p>

<p>Well, I am reading some work at the <a href="http://www.standon-calling.com/">Standon Calling Festiva</a>l, (6-8 Aug) a really lovely lovely shing ding and it looks like the weather might be humdinger too. I'm reading as part of the Book Club Boutique and I will be unveiling my novel, Caring For Daisy Byatt. Tis dark bring torch.</p>

<p>There will also be some great music and a swimming pool - oh and an entire weekend long license - yep the bars don't shut.</p>

<p>What other news is there? I've had over 50,000 downloads of my stories on <a href="http://www.feedbooks.com/search?query=xavier+leret">Feedbooks</a>, so many thanks to all those who have clicked that button.</p>

<p>Don't forget, <a href="http://www.standon-calling.com/">Standon Calling</a> - hope to catch you there my lovelies.</p>]]>
        
    </content>
</entry>

<entry>
    <title>BORDELLO BLUSH - THE BOOK CLUB BOUTIQUE</title>
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    <published>2010-02-10T19:46:03Z</published>
    <updated>2010-02-10T19:48:06Z</updated>
    
    <summary>I&apos;m reading my story Turn The Porn On at the BORDELLO BLUSH event for the THE BOOK CLUB BOUTIQUE Saturday 13th Feb BLACKS. 67 DEAN ST. SOHO. W1D 4QH I&apos;m on after 8 sometime....</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="News" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>I'm reading my story Turn The Porn On at the BORDELLO BLUSH event for the	<br />
<a href="http://www.facebook.com/home.php?#!/event.php?eid=297985410772&index=1">THE BOOK CLUB BOUTIQUE</a><br />
Saturday 13th Feb<br />
BLACKS. 67 DEAN ST. SOHO. W1D 4QH</p>

<p>I'm on after 8 sometime.</p>]]>
        
    </content>
</entry>

<entry>
    <title>About Fred</title>
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    <published>2010-02-10T19:06:54Z</published>
    <updated>2010-02-10T19:19:05Z</updated>
    
    <summary> 1. There&apos;s something I need to tell you, said Karen, it&apos;s about Fred. John froze in the doorway. 2. What did he say exactly? Maddy told him and finished by asking him not to tell anyone. Is that what...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="About Fred" />
    
        <category term="Stories" />
    
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        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="About Fred2.jpg" src="http://www.xavierleret.com/About%20Fred2.jpg" width="220" height="310" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></span></p>

<p></p>

<p></p>

<p>1.<br />
There's something I need to tell you, said Karen, it's about Fred.<br />
John froze in the doorway. </p>

<p>2.<br />
What did he say exactly?  <br />
Maddy told him and finished by asking him not to tell anyone.<br />
Is that what he asked you to do?  Not to tell anyone?<br />
Yes, she said.<br />
John nodded.  </p>]]>
        <![CDATA[<p><br />
3.<br />
The next day he spent the morning avoiding making the call.  He dropped Maddy off at school and took the youngest back home.  He made all sorts of excuses to himself.  He made himself available to his young daughter in a way that he rarely did so ordinarily.  Today he played with her dolls making up voices for all of them.  He changed their nappies, fed them milk.  He pushed her around the house in her plastic car.  He took her to the play centre and climbed with her around the facilities there.  He went down the black hole slide that made his gut jump.  All the time it was playing on his mind.   </p>

<p>4.<br />
I did it.  I called him.<br />
John was on the house phone talking to Karen.<br />
What did you say?<br />
Not much.<br />
And what did he say?<br />
I don't know I didn't really listen.  It just...  he just...  <br />
His cell phone started ringing.  <br />
Fuck, it's him.<br />
Answer it, she said.<br />
I don't want to.  I can't.  I can't.<br />
His phone stopped ringing.<br />
Shit, he's phoning me now.  <br />
What are going to do?<br />
I'm going to answer.<br />
OK, pull over, you'll crash the car otherwise.  I'll talk to you later.  </p>

<p>5.<br />
I've spoken to him.  <br />
Yeah, said John, he's just tried to phone me back .<br />
Karen was distraught on the other end of the line and he was worried about her because she was driving.  <br />
How fucking stupid of him.<br />
I know, he said.<br />
You shouldn't feel bad.<br />
I don't, he said.  It had to be done, I know that.<br />
Well don't feel bad.  He's been doing this his whole fucking life.<br />
He nodded into the phone.  <br />
He's terrified that Roz is going to find out, she said.<br />
She'll leave him.<br />
No, she won't, they've been through too much together.<br />
She will.  She'll have to.  </p>

<p>6.<br />
When Karen had got back from work, the kids wanted a family cuddle.  They all cuddled together.  John looked at Maddy and thought, shit, she's changed.  He couldn't put his finger on it, but there was a definite change.  She was more knowing.</p>

<p>7.<br />
It was cold outside and there was a mist haunting him as he walked to Tesco's.  He was walking quickly his breath in sharp fast gusts.  He was listening to some electronic music which was abrasive at the top end and quite aggressive on the bass.  It just kept going round and round.  He thought about when Fred was rushed to the hospital.  He thought that it would have been better all round if...  The music dipped as a call came in.  He didn't recognise the number.  If it was Fred he was ready.<br />
Hello.<br />
John Morgan?<br />
Yes.<br />
My name is Pete, I was given your number by Dave Little.  You're an editor, yeah?<br />
That's right.<br />
I've got a job.  I'm quite desperate, everyone else has fallen through.<br />
Sure.  What is it?<br />
It's a bit of adult.<br />
Oh... um...<br />
Listen, I'll understand if it's not your thing but have a look at mi site, it's nothing twisted, just ya usual.  </p>

<p>8.<br />
He was standing alone under a streetlight.  <br />
Dave, I've just had this call.  Who's Pete?<br />
Yeah, sorry, but I thought you could do with the work.<br />
That's OK, but who is he?  <br />
He's a friend of a friend.  </p>

<p>9.<br />
When he got back from Tesco's Karen was on the phone to Fred.  Her face was red.  The kids were in bed, though they were not asleep, he could hear them.  When he walked into the front room she motioned with her hands.  He did not know whether she meant to just shut the door or to get out.  He shut the door behind him and went into the kitchen.  He put the shopping down onto the kitchen table, took out a bottle of wine and opened it.  He could hear her voice.<br />
...You have done the same to her as you did to me. You just can't stop yourself. You just can't fucking stop yourself. You just don't know where the boundaries are.  You just don't know. It's black and white.  After all you've done throughout your entire fucking life and you still cross the boundaries... <br />
...I DON'T KNOW HOW YOU WANT TO FUCKING LABEL IT... <br />
...I don't know. I just don't know...<br />
...You're just so stupid. I just can't - it's unbelievable - with your history. What were you thinking of?..<br />
...I have to tell mum. I just couldn't not. I wouldn't be at ease with myself. I'm not not going to say something to her... <br />
...Yes, she might tell Roz.  She is her sister...<br />
...I haven't thought out the repercussions, I don't know how it will spiral out - but this isn't about protecting you...<br />
...If she hadn't said anything, my mind boggles where it would have gone...<br />
...I do, I do...<br />
...I think she would have gone to you with all her questions - fuck she's ten - ten and you're already starting... <br />
...It's not just that, it's how far will she go. It's about that... <br />
...She hasn't developed yet...<br />
...I know what it's like at that age - it's thrilling.  And you're getting ready to take advantage of it.  You're beginning now.  She's only ten.  You total fucking bastard...</p>

<p>10.<br />
He drank the wine slowly in the darkness of the kitchen and thought about his wife at the age of thirteen and Fred.  He had known about it but he hadn't considered it properly.  She had told him when they first started going out together.  She was in her twenties, grown up, mature, beautiful and in touch with herself.  But now sat in the dark of his kitchen he saw not his wife but his child.  And then he saw his child into his wife, grown up, vivacious, full of bravado and out to impress.</p>

<p>11.<br />
You know what he said?<br />
They were drinking wine together and smoking, their cigarettes in a glow in the dark.  John shook his head.  No, what?<br />
He said that if he was going to touch her he would have done it ages ago.<br />
He said that?<br />
Yes,  he said that he remembered two times.<br />
The smoke strained between them.  John's eyes narrowed.  <br />
He said that once when Mad was six he was tickling her and she looked at him and said tickle me down there.  And he said that he said no.  <br />
Fuck.<br />
And then another time he was here with you and you were putting the girls to bed.  He was with you saying good night to Becky and he came out and Maddy was waiting in the shadows and she jumped out on him naked.<br />
Yeah, I remember that.  I got quite angry with her.  Why the fuck would he remember...  what the...  why's he telling you that?<br />
She shook her head and blew out a cloud and put the cigarette butt into the ashtray.<br />
John, was pale.  I don't believe it...  he's kept hold of those memories... why did he say that?  Does he really think that that suddenly means he's not...<br />
John stood up and then sat back down again.<br />
I know, she said, I know. </p>

<p>12.<br />
I'm going to bed, said Karen.<br />
He nodded, I'll finish this bottle.<br />
Are you OK?<br />
I'm fine.  A little drunk.  What about you?<br />
The same.  She looked at him and smiled.  Thank you.<br />
For what?<br />
For phoning him.  Getting it out.  I was dithering.<br />
It took me all day to make the call.<br />
I bet.  Her shoulder racked and her body strained.  Oh my God, she said as she put her hand over her mouth.  Oh my fucking God. </p>

<p>13.<br />
He received an email from Fred.<br />
Dear John and Karen<br />
I'm sorry if this email is unwelcome, but I have to write it and ask if you want me to meet you so that you can try to deal with the aftermath in a way that you choose. I don't know what else to say, except that I recognise you may want to cut me out of your lives immediately and totally. But you may also want a time to express your shock and anger directly.<br />
Karen, you know the damage of a relationship that has been a lie. So I want at least to say one thing to limit the fear that I'm sure you'll both now have. I have never touched Maddy in a sexual way, I have never tried to or wanted to, and I have not seen her in that way. That is not to try and modify what I did on Sunday. I crossed a boundary to a degree which has caused devastating damage, I think less to Maddy than to you both, to Dawn and, worst of all for me, Roz.<br />
I won't give an account now of what was said and why. I recognise that this is likely to be an ugly end to long, close and loving relationships, and I can't even write what that feels like. I'm sorry for me, and I'm more sorry than I can say for what I've done to you.<br />
Fred.</p>

<p>14.<br />
He remembered staying at Roz and Fred's place and that Fred had come downstairs in the morning, thinking that he was out, wearing only a white vest.  For a man in his sixties who still smoked he wasn't in bad shape.  And he had a big cock.  His cock was coming down from a fuck, the foreskin was pulled back and the helmet was red and still swollen, the shaft was big but not hard.   <br />
The night before he had gone out for a drink with Fred and Fred had complained that Roz's hip was so bad these days that he could only take her from behind.  At the time he thought that Fred was joking - not about the hip because Roz was limping everywhere, that was obvious, but about the fucking from behind - the statement, not the doing - the way he said it.  It had shocked him.  </p>

<p>15.<br />
He sat alone in front of his computer with a bottle of wine.   The family were asleep.  He was drunk.  An email arrived from Pete with a link, a user name and password.    He opened up Pete's porn site.  His mouse floated over the small video windows and watched the stills flick through the contents.  He didn't want to see any cocks so he watched the lesbians.  The girls were young and thin and shaved.  In close up it looked like someone had taken a meat cleaver to a carcass to gash it open.  Because it was a carcass there was no blood.  There were girls with thick eye makeup feeding.  <br />
Even though his head was spinning he drank more wine and even though he couldn't focus he watched more porn and even though it wasn't doing anything for him he kept on clicking.  <br />
He had flashes of Fred in his vest with his half erect cock into which flashed Karen into which flashed Maddy.</p>

<p>16.<br />
Maddy was at school and he had just got back from dropping off Becky.  Karen had taken the day off work and was sitting alone in the kitchen.  He made himself a coffee.<br />
You've got to phone your mum, he said.  You have to.<br />
Karen was shaking.  I know.  She'll be devastated.  She took Maddy round there.  She was in charge.  She was only out of her sight for ten minutes.  She'll blame herself.<br />
Karen put her hand through her hair.<br />
But you have to tell her.<br />
I know, I know.  But what about Roz?<br />
What about her?<br />
She'll tell her.<br />
So?<br />
She's sixty-five.<br />
Yeah?<br />
She won't leave him.<br />
She will.<br />
She won't want to be alone.  She's known about him all through their relationship.<br />
But she 'll be outcast.  From you.  From your mum.<br />
But she's old now.  A tear welled up in Karen's eye and fell and rolled down her face.  She's a part of me.<br />
John put his hand to her cheek and said I know.  I know.<br />
... and Mum won't tell her.<br />
Why?<br />
Because ever since Dad died she's been alone.  She has been been alone since I was ten.  <br />
He watched her face as she looked away.  <br />
If Dad had been around then Fred wouldn't have....  but he wasn't...  there's so much shit in my family...  She won't do it to her...  She's her sister...  She loves her...  I know her...  I don't think I could do it...<br />
He watched her as her voice trailed off and her breath took over, reigning in the tears.  What do you want, he asked?<br />
Her body became tense, pent up, tight and angry.<br />
It would be better if he died, she said.<br />
His phone rang.  It was Pete.  He looked at it.<br />
Yes, he said,  it would be better if he died.</p>

<p>17.<br />
Dawn was on the sofa with Karen, they were quiet and sitting at opposing ends.  He had gone out because Karen had wanted to tell her mum and she wanted to do it alone.  He understood.  She suggested that he go to the cinema. <br />
 When he got back he could see that they had been crying.  Their eyes were red.  It felt to him that Karen had timed their conversation perfectly so that they would reach an epiphany of emotion with enough time for the both of them to recover before John got back.  She was organised like that.  </p>

<p>18.<br />
They got another email from Fred.<br />
Dear John and Karen,<br />
I want to meet with all of you as a group to talk about this business.<br />
I want to do it because you are actually my family. I've had more connection with all of you, done more things, shared more than I have with my blood family. I don't want to lose that.<br />
I also don't want this to create an impossible situation between Roz and me or between her and you. I've talked about it with her and though of course she has nothing to do with it, she's obviously concerned to find a resolution.<br />
If you agree, I'll come up. I'll come alone because this is for me to deal with first.<br />
Please give me an answer and let's meet and talk. If Dawn's email is out of date, could you forward it to her.<br />
Fred.</p>

<p>19.<br />
Pete?<br />
John.  <br />
John was on his phone sitting on a park bench under an old oak tree.  There were clouds in the sky, the November weather turned mizzled for winter.  </p>

<p>20.<br />
Dawn came straight round when she had received Fred's email.  <br />
What do you want to do, asked Dawn?<br />
About what, he asked?<br />
Fred's email.<br />
Nothing.<br />
You don't want to meet him?<br />
No.<br />
I'm so sorry, said Dawn.<br />
Yeah.<br />
But I'm worried about Roz.<br />
Has she phoned you, he asked?<br />
No.<br />
And do you believe him when he says that he told her?<br />
Yes.<br />
His brow frowned.  She should have phoned one of you by now, he said.  Even if Fred left a lot out, you would have thought that she would ring, even if it was to say, lets not blow this thing out of the water.  I think it's rather telling that she hasn't called.<br />
He looked at Dawn.  Her face was leathered and fisherman worn.  All this wanting to get together, he said, it's fucking feeble...  it's fucking text book.</p>

<p>21.<br />
Sitting in the garden smoking he remembered how Fred helped him build the kid's playhouse.  He could not have done it without him. He was not good with his hands, Fred was.  And there he was, putting up the walls, the roof, the balcony inside and the children laughing and helping.  There he was.</p>

<p>22.<br />
What are you doing here?<br />
Fred looked like a lame horse.<br />
I need to talk to Karen.<br />
John looked to the left and right, down the street and then back at Fred.  He felt tiny tremors all over his body.</p>

<p>23.<br />
It was raining and he was alone in the car at ninety down the M1, not caring how close he drifted to the cars, in front or to the side, knuckles in a strain on the wheel and his sat nav in straight arrows, straight ahead, straight ahead...</p>

<p>24.<br />
The house was secluded.<br />
I've come to see Pete, he said, when the door opened.<br />
You'll have to be quiet the girl said, they're in the middle of a scene.<br />
She led him quietly through to the back of the house.  She was in a pair of jeans and a t-shirt, her long blonde hair in a hairspray straggle down her back.  <br />
It was lunar in there, under the lights.   He could see the camera right up her, her labia in wet flaps taking the full shaft of a cock.  <br />
He stood at the back, behind the crowd of the crew and waited for Pete to shout cut.</p>

<p>25.<br />
I'm trying to get out of it, Pete said.<br />
John nodded.  They were sitting out in the cold on a bench at the back of the house at the end of an enormous garden.<br />
There's no money in it any more.  All these fucking free view sites...  and I fucking hate the lifestyle, if I'm honest.  <br />
So why are you doing it?<br />
It's all I know John.  And once you're in, it's fucking impossible to get out.  Anyway, mi old mucker, what's this problem you have?<br />
John looked like his stomach hurt.  ... Dave said you might know people.<br />
What kind of people would that be?<br />
The kind that might be able to help me with a problem.<br />
Pete looked at him.  He had thick black hair and a chiselled face.  <br />
John smoked his cigarette and stared ahead.</p>

<p>26.<br />
The kids were in bed.<br />
Where have you been, she asked, it's late?  She was looking older, tired.  She was still standing upright but he could see that it took her some effort.<br />
I just went for a drive and a walk.<br />
Are you OK?<br />
He shrugged his shoulders.<br />
Roz called.<br />
Yeah?<br />
She tried to make out that it was nothing serious.  That he never actually touched her.<br />
Fucking hell.<br />
Are you OK?<br />
I told her about him and me.  She didn't know.<br />
I thought you said she did.<br />
She said she didn't.<br />
He nodded.<br />
It was so...  He watched her eyes narrow as she drew into herself, her voice becoming softer.  I didn't know what was real back then, we both hid it well, Fred and Me.  That was the game I suppose.  I was complicit it in.  It was a thrill.  I thought I was grown up.  I thought that.  You do, don't you, at that age?  I led him on.  Teased it out of him.  I'm sure that's how he saw it.  It seemed like such an obvious game that we were playing that I couldn't believe that no one else saw it.  In my mind it made it all alright, their silence gave the whole thing permission to carry on.   So much of life is about what you imagine things to be.  So much.<br />
You were thirteen, love.<br />
I know.  But you are so knowing at that age.  I felt in possession of myself.  I felt that.  Anyway, Roz said that she needed time to think and that she would call back.<br />
Right.<br />
He took a glass from the cabinet and stopped with his back to her and breathed out.  He came round earlier, he said.<br />
What?<br />
He came round.<br />
He turned to her.  Her body was clenched and her jaw was tight.<br />
He wanted to see you.<br />
She breathed out heavily and her eyes closed.</p>

<p>27.<br />
John?<br />
Yeah?<br />
Hold me.  Hold me.<br />
I love you, he said.<br />
I know.  I know.</p>

<p>28.<br />
He never made tea in the morning, he was a coffee drinker but he found a box of Lapsang Souchong.<br />
Tea, asked Karen?<br />
Yeah, I found this box of ... You never buy it.<br />
I didn't, she said. Fred did when he and Roz stayed.<br />
Fred?<br />
Yes.<br />
He put his mug down. </p>

<p>29.<br />
It was Dawn.  I need to talk to you both, she said.  Roz called.<br />
They were sitting in the lounge and the kids were in bed.  <br />
She's distraught.<br />
So, said John?<br />
She's my sister.<br />
John looked at Karen.  <br />
She's desperate because she thinks she's going to loose Karen.  She loves the both of you.  She loves the kids.<br />
John didn't know what to say.<br />
She's terrified that she will never be able to see you all again.  That she'll be outcast with him.<br />
Then she must leave him, he said.<br />
It's not that simple.<br />
It is.<br />
She's nearly seventy.  You can't asked her to do that.<br />
I'm not asking her to do that, but it's inevitable.<br />
You don't know them, John.  They've been through hell together.  What those two haven't done to each other.<br />
I know.<br />
Not all of it you don't.<br />
John felt his heartbeat rise.  Every time he walks into a room, she's going to think he slept with my niece, when she was little more than a kid.  She's going to think that.  And then she's going to think, and now he's grooming Maddy.  And he's going to know that's what she's thinking every time she looks at him and every time she opens her mouth.  Till the day he fucking dies.  And then it might be, that we feel sorry for them and let them share a Christmas with us and all the time we're going to sit there thinking don't let him out of our sight.  And he's going to know it.  You don't think that's a much worse hell than they've ever been through before, cause that's not something that I could fucking live with.<br />
John, said Karen, keep you're voice down, love, the kids will hear.<br />
Dawn looked down sadly.  I'm not asking you to...  I would never do that...  but she's my sis...  she's my sis...<br />
John and Karen sat quietly watching Dawn as she slowly took control of herself.<br />
Mum, said Karen, he can never see Maddy again.  Never.  You see, the problem is this.  Maddy is in touch with herself.  She has been in touch with her sexuality... well right from the start.  For her this is really exciting.  She will now seek Fred out and tease the questions out of him because he has creaked the door open.  He has now made himself available to her to answer those questions.  Those questions she might feel uncomfortable asking us.  And the problem is all he will do is gently lead her on and make believe that it is Maddy leading him on.  He has no boundaries.  We can't allow that.<br />
I know, said Dawn.<br />
I love Roz, said Karen,<br />
Dawn looked at her daughter.<br />
If only that heart attack had taken him, said Dawn.  If only.<br />
John's phone rang.  It was on the coffee table in the centre of the room.  They all looked at it. <br />
I'd better take this, he said and picked it up.  Hello... yeah hi... oh right... um... I don't know if I can come now... can I pick it up in the morning... oh right, OK... where are you?  Yeah I know.  I'll be over in a bit - uh?  Oh OK, an hour then.<br />
He hung up.  I've got to go, I have to pick up some media.<br />
What, now?<br />
I know.  He fumbled his phone awkwardly and it fell.<br />
Are you OK, John?<br />
He looked at her and said yeah, sure... I'm fine.</p>

<p>30.<br />
He started his car and drove to the end of the street, parked again, turned the engine off and lit a cigarette.  He was shaking.  He was thinking about Fred.  He remembered how they had all gone out to the country and had a picnic.  Fred had brought a Frisbee and they had all played together spinning it from one end of a field to the other.  It had been a lovely summers day and the sun was shining.  They were all there, Roz, Dawn, Karen and the kids.  He was sitting there and trying to understand how Karen could allow him near her.  He couldn't make sense of it.  He couldn't make sense of it at all.</p>

<p>31.<br />
Pete was waiting for him in his car.<br />
John, he said.<br />
Do you want me to follow you.<br />
No.  Leave your car here, I'll bring you back.<br />
He got in.  Listen Pete...  I don't think...  I want to call the whole thing off.<br />
Take it easy, mate.<br />
Um...<br />
Relax. <br />
John shuffled in his seat. <br />
Pete pulled the car away. Let me tell you about what I need. I've got a few scenes in the back, bit of girl on girl and those scenes you saw us shoot the other day.  That was fucking filthy, ha ha.  Listen, I was thinking bout giving you a bit o mature, but thought a bit of corpse fucking might fuck you right up.  He turned to look at him and he stuck his tongue out - I'm fucking you mate. Relax.  Have a fag, and he offered him a real lung bleeder. </p>

<p>32.<br />
He knew that they were in Essex but that was as much as he knew.  He had lost track of the direction when they had turned off the motorway and began to wind the country lanes.  Beyond the beam of the car it was pitch black.  Pete pulled the car up at he end of a track outside a small dis-used isolated farm house.<br />
OK, asked Pete?<br />
Err, yeah.<br />
He's in there.  I'll wait here.<br />
John got out of the car.  As he did so the front door opened and a man in black with a superman body came out.<br />
You John?<br />
Yeah.<br />
He's through ere.<br />
John walked up the garden path to the door and followed Superman into the house.  There was no plaster on the walls and no carpets on the wooden boards.  The place stank of damp and shit.  Sitting on a chair was another man in black who stood up as John entered.  His bald scalp was tattooed bright red, like a demon.<br />
Alright, mate?  He held out his hand.  The back of his hand was coloured with the flames of a Thai dragon.  John shook his hand and his hand flared up. <br />
Superman said, he's in there, pointing to a closed door.  Listen, it smells a bit alright, you know?  He - and he shrugged his shoulders and then he grinned, he fucking shat everywhere, the cunt.  It's what happens.<br />
All the fucking time said The Demon.<br />
John just nodded.<br />
Go on, take a look.  We'll be in a minute.<br />
John walked slowly towards the door and stood before it.<br />
Go on, said Superman, he won't bite.<br />
Ain't got any fucking teeth.<br />
Ha ha.<br />
Ha ha.<br />
It's alright, mate, I left one.  It's like a fucking tombstone in his mouth.<br />
Ha ha.<br />
Ha ha.<br />
And they did a little Michael Jackson dance with zombie scowls and dainty turns.<br />
Ha ha.<br />
Ha ha.<br />
Go on, mate, it's alright.  We're fucking with ya.  Don't worry.  He's fine.  Don't worry.  Don't worry.  Go on.<br />
He felt like he was breathing with amplified breath inside a space suit as he approached the door.  He reached slowly with his hand, turned the handle and pushed the door away from him.  He stood there in the doorway, his shadow cast out behind him and when he saw him, his hand moved to his mouth.</p>

<p>33.<br />
They've nailed him to the floor, he said.<br />
Pete was smoking a cigarette on the front seat of his car.<br />
Why have they nailed him to the floor?<br />
Pete shrugged his shoulders.<br />
John turned back to Superman who was standing in front of the house.<br />
Why have you nailed him to the floor?<br />
Ain't ever done it before.  Seemed like a good idea.  <br />
Oh my God.<br />
You wanted him dealt with, said Superman.  Did you think we was going to suck his cock?<br />
What?<br />
Did you think we was going to suck his cock?<br />
Listen, John, I've got to get back said Pete, its late.<br />
We've got to get him to a hospital.<br />
You what?<br />
We've got to get him to a hospital.<br />
No, mate, said Superman.  He ain't going nowhere.  <br />
Oi, came The Demon's voice, he wants to talk to him.<br />
He wants to talk to you, said Superman.<br />
What?<br />
He wants to talk to you.</p>

<p>34.<br />
John was standing over Fred who was lying naked on the floor. He wasn't crucified; he was pinned like a crooked manikin to a board with hands by his side.  They had nailed him with long thin shiny steel pins through the wrist of his right arm, the hand and elbow of his left, both shoulders, a knee and both his ankles. They had enjoyed themselves. There was a lot less blood than John had originally thought he'd seen but there was still enough to avoid slipping in. Fred was moaning and gurgling. John couldn't make out what he was saying. He knelt clumsily to the floor, careful not to get any blood on his clothes. His hand was over his mouth and nose.<br />
I can't understand you, he said.<br />
He knelt further. Blood was bubbling from Fred's mouth, his lips moved, his eyes rolled.<br />
I can't understand...<br />
Fred gasped.<br />
I, said, John...  I... Fred? Fred? Fred?<br />
Superman walked in, looked at Fred, knelt, reached and felt his neck.<br />
He's dead mate.<br />
John sat with his back against the wall and his knees tucked up under chin.<br />
Superman was crouched by Fred and clacked Fred's jaw open and shut and John thought fuck, he's right, that tooth is just like a tombstone.</p>

<p>35.<br />
The sun was coming up when Pete dropped John at his car.<br />
Hang on, said Pete. He flicked the boot open, got out, walked to the back of the car, reached in and came back with a box.<br />
Here's what I need ya to do. They're all on the drive, in this box.<br />
Eh?<br />
My little box of souls, he said with a twinkle in his eye, that's what mi wife calls it.<br />
John said nothing.<br />
I need it for Friday.<br />
John nodded.<br />
And then I've something else for ya.<br />
John's head was bowed.<br />
This is the way it's going to be, alright?  Don't worry, I'll pay ya and I'll pay ya well.  Right, fuck off.<br />
John nodded slowly, his face was red and his skin felt hot.  He got out of the car and he was about to shut the door when Pete said, give us a call when you've got that done. And don't worry about Fred. He was an old cunt, who wanted to fuck ya daughter.  He had it coming.<br />
He shut the door and watched Pete pull away. He crossed the street to his own car and got in. He sat there shivering smoking a cigarette. He looked at the box, that Pete had given him, and he saw Pete's eyes twinkle, which faded to Fred, into which came Karen into which formed Mad.   He saw the bodies in the digital patchwork of noughts and  ones, the sweat and the cocks and the cunts and the groans and the screams and the forms; all those circuits into cells, into souls, into time, into stars, into the eternal ejaculation of the cosmos.  It was all there in that box.   <br />
He took his phone out of his pocket and looked at it for a long, long while and then finally, he hit home.<br />
Hello, she answered still half asleep.<br />
Hello love, he said, there's something I need to tell you... it's about Fred. <br />
</p>]]>
    </content>
</entry>

<entry>
    <title>Feedbooks</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2010/02/feedbooks.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=137" title="Feedbooks" />
    <id>tag:www.xavierleret.com,2010://1.137</id>
    
    <published>2010-02-10T19:05:10Z</published>
    <updated>2010-02-10T23:15:57Z</updated>
    
    <summary>You can download some of my stories for your iphone or ereader here...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="News" />
    
        <category term="Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>You can download some of my stories for your iphone or ereader <a href="http://www.feedbooks.com/userbooks/recent?penname=Xavier+Leret&user=57967">here</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>The Book Club Boutique</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2010/02/the_book_club_boutique.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=136" title="The Book Club Boutique" />
    <id>tag:www.xavierleret.com,2010://1.136</id>
    
    <published>2010-02-10T16:47:59Z</published>
    <updated>2010-02-10T18:49:58Z</updated>
    
    <summary>I&apos;m reading my story Turn The Porn On at the Blush event for the THE BOOK CLUB BOUTIQUE BLACKS. DEAN ST. SOHO. Street: 67 Dean Street Soho, London W1D 4QH City/Town: London, United Kingdom I&apos;m on after 8 sometime....</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="News" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>I'm reading my story Turn The Porn On at the Blush event for the	<br />
<a href="http://www.facebook.com/home.php?#!/event.php?eid=297985410772&index=1">THE BOOK CLUB BOUTIQUE</a><br />
BLACKS. DEAN ST. SOHO.<br />
Street: 	<br />
67 Dean Street Soho, London W1D 4QH<br />
City/Town: 	<br />
London, United Kingdom</p>

<p>I'm on after 8 sometime.<br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>writLOUD 8th Feb</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2010/02/writloud_8th_feb.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=134" title="writLOUD 8th Feb" />
    <id>tag:www.xavierleret.com,2010://1.134</id>
    
    <published>2010-02-01T23:21:59Z</published>
    <updated>2010-02-01T23:23:57Z</updated>
    
    <summary>I&apos;ve been asked to read another story at writLOUD! Monday 8 February 2010, 6.30-8.15 pm, RADA Foyer Bar, Malet Street, London WC1E 7JN. Maybe see you there....</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="News" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>I've been asked to read another story at writLOUD!</p>

<p>Monday 8 February 2010, 6.30-8.15 pm, RADA Foyer Bar, Malet Street, London WC1E 7JN.</p>

<p>Maybe see you there.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Writloud 11 Jan</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2010/01/writloud_11_jan.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=133" title="Writloud 11 Jan" />
    <id>tag:www.xavierleret.com,2010://1.133</id>
    
    <published>2010-01-05T12:34:43Z</published>
    <updated>2010-01-05T12:35:51Z</updated>
    
    <summary>I&apos;m reading an extract from a novel I&apos;m working on at RADA on Monday - this one coming. Also reading are the Costa prize winning author, A L Kennedy and couple of other new and up and coming writers. Here&apos;s...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>I'm reading an extract from a novel I'm working on at RADA on Monday - this one coming. Also reading are the Costa prize winning author, A L Kennedy and couple of other new and up and coming writers. Here's the details: writLOUD takes place on Monday, 11 January, 6.30-8.15 p.m., RADA Foyer Bar, Malet Street, London WC1E 7JN.</p>]]>
        
    </content>
</entry>

<entry>
    <title>BLOOD RUN 15</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/07/blood_run_15.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=131" title="BLOOD RUN 15" />
    <id>tag:www.xavierleret.com,2009://1.131</id>
    
    <published>2009-07-15T06:15:47Z</published>
    <updated>2009-07-15T06:34:34Z</updated>
    
    <summary>The light was fading. The Legate&apos;s entourage arrived at the Kratz mansion. A selection of armoured Vees in a line. Skyte&apos;s state vehicle in the centre. He emerged with Glass and the two of them, bald heads bowed entered the...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>The light was fading.  The Legate's entourage arrived at the Kratz mansion.  A selection of armoured Vees in a line.  Skyte's state vehicle in the centre.  He emerged with Glass and the two of them, bald heads bowed entered the mansion alone.  Despite its grandeur the guts to the house were simple and lacking tyrannical ostentation.  There were no trinkets.  Some might even say it was rustic.  Others only that it had been possessed.  It was certainly cosier than one would expect from a man of Kratz's station.  Flowers and plants were everywhere.  Splashes of colour.  Snapshots of nature in firework.  A full sunset in bloom.  Rich aromas of all the seasons in simultaneous adoration.  Deep greens, reds to orange to yellow streaking azure prosperity.  Reeds, stems, storks, branches, giant leaves paddling an ocean of polychromasia.</p>]]>
        <![CDATA[<p>The councillor's feet squeaked on the wooden floor as Glass closed the thick wooden front door.  A gentle, oiled click.  In the semi darkness Skyte sniffed the air and then reached out and flicked the lights.  There was a momentary glow and the hall clicked on.    Above, below, splattering light here and there.  Artificial illumination  in worship of the horticulture.  To the right and left of the hall were two doors.  In the centre a flight of stairs, wooden and dark, roasted beef in complexion.  Behind the stairs and running underneath them, a passageway that led to a small door.<br />
There was a silence.  The silence of spirits. The kinetic energy of memories.  A force that refused to welcome the two men.  <br />
Skyte opened the door to the right.  It opened onto a sitting room.  There were three comfortable leather chairs and a large leather sofa surrounding a small table on which were discarded newspapers and articles.  In the corner a small modestly carved desk with matching chair.  Both had a royal varnish shine.  They were curved and sensuous.  Along the wall ran a bookcase glutted by books that had known many lovers .  The fireplace was carved from the knotted wood of a single tree trunk.  It swirled.  The gaping hole sooty and black.  Logs lay ready for a winter retreat.   <br />
There was nothing new about the room.  But neither was it worn or tired.  It was like the earth in this respect.  Lived in.  Eternal in comparison to the lives of men.<br />
The two councillors crossed the hall.  Their gowns lightly brushing the parquet floor.  <br />
This second door opened onto a vast library.  Ladders clung to the walls.  There was tier upon tier, lined one on top of the other, stepping upwards pushing the ceiling higher and higher.  Each row crammed with books and manuscripts.  Works of all ages.  The knowledge of centuries.  Epochs now forgotten.  Outlawed imaginings.  Celebrated fancies.  Generation upon generation.  Voices and voices.  Streaming thoughts, dreams and words.  Arguments.  Discoveries.  Pictures and paintings, images and prints.  Illustrations.  Muses.  Space, time, continuum.  <br />
In the centre of it all a desk of worn dark wood and a thick heavily padded chair, worn by hours of study.<br />
Glass clouded over.  Where did he?...<br />
Skyte crossed to the desk.  In the centre a heavy leather bound notebook.   He put his finger in and opened it in the middle.</p>

<p><em>Today the earth appeared to me red.  The sun flooded the world.  Each day comes with its own dynamic signature.  The wind blows.  The birds fly.  But never the same as before.  Age passes with each moment of the day.  Time onwards.  <br />
I watched it come.  The dusk.  The end.  I sat in my garden silent as the sun painted the world into a bloody slaughter house...  <br />
We have harnessed our energies and made light work of cruelty.  <br />
I asked myself if we cannot rise above this.  <br />
Is this brutality self induced or it is a natural expression?  <br />
Do we have moral identity?  <br />
Has morality given way to egotism?  <br />
Is this an evolution?  <br />
And if so does this mark an advance or a step back?  <br />
It is assumed that over time organisms improve with each new manifestation.  The older less effective form dies off and is replaced by a further efficiency.  It was once assumed that human evolution was a step towards civilisation.  That humanity was the capacity for mercy.  That evolution would negate the need for mercy.  Because brutality would give way to...  But I observe otherwise.  We are simply more efficient.  Deliberation and reason are deemed unnecessary.<br />
In the height of it I am numb.  I believe I am so accustomed to enforcing the rule that I am immune to the horror.  Deaf to the screams.  Cut off from any empathy.  Detached from suffering.  Unmoved by its ugliness.  And so it must follow that if I fail to react to the grotesque nature of the suffering that I induce then I am disconnected from any sort of beauty.  Blind to it.<br />
I function.  I breath without a notion of the act.  I feed with no enjoyment.  There is no taste on my tongue.   I wash and the water neither appears hot or cold.  Under my skin I lack nerves.  <br />
I observe how we all work.  Often in silence.  We are meticulous, drone like.  Passionless.  I can recall a time that I felt passion.  It kicked me on.  </em></p>

<p>Skyte closed the book and picked it up.  He walked passed Glass, out of the room and stood in the hall, vivid in its rebellion.  He walked to the side of the staircase to the narrow corridor underneath.  He followed the passageway which turned left before halting at a door.  The door opened onto the kitchen.  In the centre of the kitchen a large oak table on which stood a vase with flowers.  More extravagant colour.  He walked over to the sink.  He picked a clean glass from the draining board and filled it with water.  <br />
He looked out of the window and saw them sitting there in the dusk sun.  He watched their stillness silently as he drank.  He filled the glass again and sat down at the kitchen table, placing the notebook in front of it.  He ran his fingers over the leather cover.  And then tapped it three times.  He opened it onto the last page that contained Kratz's writing and read quietly without expression.  When he finished he breathed out through his nose, sat for a moment in thought and then closed the book.  He looked up from the book to the kitchen.  It was ordered and tidy and clean.  On the table in front of him was the single vase of brightly coloured bustled carnations, elegantly punctuated with purple lilies.<br />
Finishing his glass he stood, picking up the book and wandered out into the garden.  The kitchen opened onto the side of a stone work patio.  The patio looked out onto Kratz's enormous garden.  There was an arm of trees stretching from left to right an acre away.  And beyond Skyte could see farmland and beyond that the country rose gently to a forest crown on the horizon on which sat the open heart of the setting sun.  Birds were singing in the late evening.<br />
On the edge of the patio, on the balcony were Kratz's wife and five year old son.  He was sitting with his head resting on his mother's chest.  She had his arm around him.  The sun silhouetted them in a red haze wash.  Other than the wind in their hair they did not move.  <br />
Skyte approached them.  He sat on the balustrade to the side of them.  The child's eyes were closed.  There was no expression on his face other than the natural look of innocence that life had not succeeded to steal nor death distort.  His mother was looking into the distance.  She had died in the middle of a thought with her eyes open.  In the midst of knowing.   </p>]]>
    </content>
</entry>

<entry>
    <title>SHOWREEL</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/07/showreel.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=130" title="SHOWREEL" />
    <id>tag:www.xavierleret.com,2009://1.130</id>
    
    <published>2009-07-14T13:30:49Z</published>
    <updated>2010-03-18T11:10:20Z</updated>
    
    <summary>This is the trailer and opening scene of KUNG FU FLID, or UNARMED BUT DANGEROUS (DVD title). The movie is available of DVD, distributed by Anchor Bay Entertainment. The film was produced for the Film Lounge and stars Mat Fraser,...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="Movies" />
    
        <category term="Showreel" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>This is the trailer and opening scene of KUNG FU FLID, or UNARMED BUT DANGEROUS (DVD title).  The movie is available of DVD, distributed by Anchor Bay Entertainment.  The film was produced for the Film Lounge and stars Mat Fraser, Frank Harper, Faye Tozer, Helen Watkins and Terry Stone.</p>

<p><object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/vbu7MWECUEU&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/vbu7MWECUEU&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object></p>

<p><br />
Here's Frank Harper in Unarmed But Dangerous</p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=10255212&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=10255212&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/10255212">Barry - UnArmed But Dangerous</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p><br />
Here's another extract from Unarmed But Dangerous. Very nasty.</p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=10233766&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=10233766&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/10233766">Gregor - Extract from Unarmed But Dangerous</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p><br />
And another clip from Unarmed But Dangerous</p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=10235753&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=10235753&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/10235753">Jimmy Loveit - An extract from Unarmed But Dangerous</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p></p>

<p></p>

<p>Here are three extracts from my first feature film MINE.  The film was selected as a 'Breakthrough Movie' for LUFF 2007. </p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=3939609&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=3939609&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><br /><a href="http://vimeo.com/3939609">The Opening of MINE - directed by Xavier Leret</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p>

<p><br />
<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=3941480&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=3941480&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><br /><a href="http://vimeo.com/3941480">A 2nd Extract from MINE</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p>

<p><br />
<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=3942866&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=3942866&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><br /><a href="http://vimeo.com/3942866">3rd Extract from MINE</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p>

<p><br />
I've just made this corporate for CommUNITY Barnet.</p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7379839&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=7379839&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/7379839">CommUNITY Barnet</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p></p>

<p>This is a corporate that I directed for Fit Flop, produced by MyTherapy.</p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5746165&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=5746165&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/5746165">Fit Flop</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p><br />
This is an extract from my last theatre show for KAOS.  The KAOS DREAM.  I set Shakepeare's play in a strip joint.  The BBC described it as "a fresh masterpiece", a teacher from a Catholic school near Poole wrote that it would "take weeks of lessons to undo the damage you have done".  In this extract Helena mourns that Demetrius has fallen for the younger Hermia.  Helena is a burnt out jazz singer and Hermia a stripper and pole dancer - "love looks not with the eyes".</p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5599751&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=5599751&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/5599751">Extract from The KAOS Dream</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p></p>

<p>This is a short that I made in order to help raise finance for KUNG FU FLID.  I had several meetings with producers in the UK and in Cannes and you can imagine their faces when I told them I had written this script about a short armed martial artist.  They all looked at me like I was mad so I shot this DV film on a boat in Amsterdam with Mat Fraser, the thalidomide star of the feature film and actor Ralf Higgins to prove that it would work.</p>

<p><embed type="application/x-shockwave-flash" src="http://flash.revver.com/player/1.0/player.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" scale="noScale" salign="TL" bgcolor="#ffffff" flashvars="width=480&height=392&mediaId=93016&affiliateId=33573&javascriptContext=true&skinURL=http://flash.revver.com/player/1.0/skins/Default_Raster.swf&skinImgURL=http://flash.revver.com/player/1.0/skins/night_skin.png&actionBarSkinURL=http://flash.revver.com/player/1.0/skins/DefaultNavBarSkin.swf&resizeVideo=True" wmode="transparent" height="392" width="480"></embed></p>

<p>And then just to really hit the point home I made LOVE, again with Mat this time with Tina Barnes.</p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/-VAFa7djA78&hl=en&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/-VAFa7djA78&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>

<p><br />
This is a little short story called TURN THE PORN ON.  It is a monologue about an old man dying who has just one wish.  </p>

<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=1050608&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=1050608&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/1050608">Turn The Porn On</a> from <a href="http://vimeo.com/user496622">Xavier Leret</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>

<p><br />
This is a promo of ALICE a piece of theatre I made about a social worker.  This was a hard hitting surreal piece was inspired by Alice in Wonderland.</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/FZUlnChv0mo"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/FZUlnChv0mo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p><br />
You can download my CV here.<span class="mt-enclosure mt-enclosure-file" style="display: inline;"><a href="http://www.xavierleret.com/Xavier_Leret_CV.pdf">Xavier_Leret_CV.pdf</a></span></p>

<p><br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>BLOOD RUN 14</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/07/blood_run_14.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=129" title="BLOOD RUN 14" />
    <id>tag:www.xavierleret.com,2009://1.129</id>
    
    <published>2009-07-12T09:33:39Z</published>
    <updated>2009-07-12T09:42:55Z</updated>
    
    <summary>I&apos;ve re-written the very beginning of the story. Click on the Blood Run link above and find Blood Run 1 &amp; 2. Anyway new bit. How trusting are children. So easy to calm with stories. Lead them into a dark...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>I've re-written the very beginning of the story.  Click on the Blood Run link above and find Blood Run 1 & 2.</p>

<p>Anyway new bit.</p>

<p><br />
<em>How trusting are children.  So easy to calm with stories.  Lead them into a dark room.  Hold their hand and they are soothed.  Speak sweetly and they are silenced. Hold them and you can achieve a relative calm.  Shout at the child at your peril.  They will retreat.  I always advocated gentleness.  A child will speak only when they are handled with care.  Panic the child and it will  fall into a delirium.  A delirium from which they will never emerge. They will retreat into that dreadful darkness of their imagination.  You will have become unreal to them, taking on the qualities of a demon or such like.  There can be nothing left but to end them.  That is suitably humane. </em> </p>]]>
        <![CDATA[<p><em>That the child is blameless can never be in question.  The crime is that of their parent or guardian. Undue force or pain for the sake of it must be viewed as criminal.  <br />
The interrogation of a child has always sat uneasily for me.  Since the birth of my son I have found myself questioning.  I have always had the capacity to question, although often choosing to ignore it.   I have never doubted in the work that we have undertaken.  But seeing his small form lying in his cot.  His mind unformed.  His body functioning.  Breathing of his own accord.  A silent passive energy, that in his waking hours absorbs from all around him.  There is no question in his mind because he has no capacity to question.  That will come of course.  But how he will question, the direction of his intellect, all that is formed now.  The bedrock of his future that is made now.  How I hold him will have some baring.  How I speak to him.  The stories I choose to tell.  All these will make him the man that he will be.<br />
The terror rooms have an impact upon me.  Often as I watch my son, or hold him, I am attacked by flashes.  Little faces out of the darkness.  Bodies strapped to chairs that were crafted for figures several times their size.  I have never been capable of any cruelty to the small ones.  I have, however, stood by whilst acts were carried out.  I have tightened the straps and tied the gags.  I am complicit.<br />
In the darkness before their end I try to calm them.  I will tell them pleasant stories.  Not ones that I have read in books.  I will compose them in that moment.  In a sense they are unique for that time.  Are they a source of comfort?  I used to think so but now I am not so sure.  Perhaps it would have been far better to simply mechanise the whole process and get it over with.  But no, the information.  The information.<br />
Some of the stories I kept.  For my son.  The ones with which I achieve a moment of percipience.  That connection between storyteller and audience, when the walls containing us fell away and a garden would open up.  These moments I kept and handed on.  A gift for him, not just from me but them.  <br />
And that I feel is where my crimes began.</em></p>]]>
    </content>
</entry>

<entry>
    <title>BLOOD RUN 13.1</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/05/blood_run_131.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=128" title="BLOOD RUN 13.1" />
    <id>tag:www.xavierleret.com,2009://1.128</id>
    
    <published>2009-05-27T08:37:26Z</published>
    <updated>2009-07-12T09:30:39Z</updated>
    
    <summary>Their feet reached the ground. But they were sandwiched between two walls. She told him to scuffle over to his left. The other way was sure to lead to the divide between life and death. The pain in her legs...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>Their feet reached the ground.  But they were sandwiched between two walls.  She told him to scuffle over to his left.  The other way was sure to lead to the divide between life and death.  The pain in her legs was unbearable.  Her right shoe was full of blood and sloshed.  They arrived at the wall.  There was a hole, they could feel air on their faces. </p>]]>
        <![CDATA[<p>Their feet reached the ground.  But they were sandwiched between two walls.  She told him to scuffle over to his left.  The other way was sure to lead to the divide between life and death.  The pain in her legs was unbearable.  Her right shoe was full of blood and sloshed.  They arrived at the wall.  <br />
The bags, she said.  We need the bags.  She managed to hand the little one to him.  He could barely hold her. <br />
Don't let her drop.<br />
And she headed back into the dark.  The banging and screaming above was toxic.  She came across the bag of belongings.  She made herself find the baby carrier because she knew that neither she nor he would manage the babe without it.  She dragged the bags back so they were complete for their escape.<br />
She told him to keep hold of the child and began to feel the wall to his side.  The bricks were loose and damp.  She took the babe and told him to squidge past.<br />
Why?<br />
Just do it.  She said it like her mother would.  There was no time to argue.<br />
He squeezed himself between her and the wall.  When he was past she handed him their sister and began to find loose bricks and jiggle them.  Clawing away  sodden old cement.  Pulling one brick free she was able to reach in and grab another.  She put her whole body into pushing and pulling until that wrenched loose.  Below that the other was weak.  And below that the wall crumbled.  There was enough space she felt for him.  <br />
Right, you go through.<br />
What about you?<br />
Just get through.  Don't worry about me.  <br />
I don't want to.<br />
And then she screamed at him, just do what you're told to do.<br />
His lip began to tremble.  She took no notice.  She forced him to move past her.  Pushed him on.  Squeezed through the hole.  Then she handed the sister to him and pushed the bag and the carrier through.<br />
Don't move, a voice screamed from above.<br />
She looked up into the searing light.  It was shining directly into her face.  She could make out no details.  Perhaps the bright filament of the flashlight.  The light like a siren's voice tempting her.  Coaxing her into no more.<br />
She began to try and squeeze herself through the gap.  The edges were jagged.  They dug into her back and stomach.  She pushed every breath out of her body.  She slipped a fraction further.  Her left arm on one side, the right fighting the brickwork, feeling for a loose stone on the other.<br />
I'm stuck.<br />
He grabbed her hand and pulled.  The pain was unbearable.  He tugged with everything his little body could but there was no release, he just jammed her body brutally into the brickwork.  The lad gave everything he had.  Again and again.  But all his little self could do was trap her further.  Making the situation worse.<br />
Stop, she said quietly.  Stop.  I can't move.  I can't move.  Tiredness overcame her.  She felt her mother beside her, holding her hand.  I'm sorry she said.  I can't help them.  I can't do anything.  Her mother's hand gently caressed her face.  The apparition gave her electricity.  Tiny muscles in her stomach and shoulders, chest and hips.  Her battle was like a fish in its last throws.  Sudden gasps, punches for life as the oxygen fades, then one last gasp, then a flicker then a longer silence, a silence of surrender, a fade into a drowning acceptance.  Her mothers face transformed into the faint face of the boy.  <br />
Go, she whispered.  Go.</p>]]>
    </content>
</entry>

<entry>
    <title>BLOOD RUN 13</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/05/blood_run_13.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=127" title="BLOOD RUN 13" />
    <id>tag:www.xavierleret.com,2009://1.127</id>
    
    <published>2009-05-26T09:03:27Z</published>
    <updated>2009-07-12T09:30:14Z</updated>
    
    <summary>The children were sandwiched between the floorboards above and the ceiling below. Dust rained on them as Anchorite feet scuffled over them. The elder girl and the brother lay on their stomachs. Their bodies scanning beams. Breathing quietly into the...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>The children were sandwiched between the floorboards above and the ceiling below.  Dust rained on them as Anchorite feet scuffled over them.   The elder girl and the brother lay on their stomachs.  Their bodies scanning beams.  Breathing quietly into the haunted black pitch of this world between.  He had dilated terrified eyes which were saucered large behind a dusty mask.  He could feel his older sister lying beside him.  He reached out and found her hand.  She took it and held it.  At her head lay the little one balanced long ways on a wooden rib.  She was silent.  Unconscious.  She kissed her head.  Silent pecks to remind her why life was worth living.  She was shivering, the brother in a tremble and the little one was sunspot hot.</p>]]>
        <![CDATA[<p>They could hear voices above them.  Orders called.  Shouting.  Then a long silence.  Then some muttering.<br />
The girl tapped her brother that they should move.  She could sense that above them they were waiting for something to arrive.  She couldn't face being trapped there.  <br />
They began to inch forward.    Hands ahead of them reaching to see if the ceiling was whole.  The little one pushed silently a bit at a time.  They could hear rats scuttling in front, behind and to their sides.  The boy almost cried out as he felt a hideous feral  corpse.  <br />
They kept to the beams.  It was the first thing the sister had told him as they hid.  The beams are the strength.  Don't put your weight on the plaster.  The beams are like ribs and we are the heart.<br />
They had to heave themselves from one to the other.  The little one balanced as her sister reached the bag onwards.  The bag that was was full of food and toys, the book and nappies.  It was heavy and awkward and static with claustrophobia.  <br />
The boy struggled with the baby carrier.  It was light, but it had a belt and a metal frame.  It got stuck.  He grappled with it.  The belt buckle was caught and the frame had become wedged.  He tried to lift it back and then forward.  But its uneven shape thwarted him.  He imagined invisible hands in the darkness holding it down.  Tears began to form in his eyes.  He was beginning to panic.  The elder girl could hear the metal on the wood and his breath increase.  Metal scraping, wood tapping into volume and vigour.  She steadied her sister on a beam.  Some how spanned her own bag over two in such a way as to steady the toddler so that she would not fall to the side.  She began to twist herself around.  She had millimetres to either side, her torso was contorted.  <br />
The boy was becoming frantic.  She was twisted back on herself.  She stretched out her hand and tried to reach him.  She notice a gap in the boards above her.  She could make out an eye.  It was blue.  A speckled blue.  A sullied sky.  The shadow of the body attached to it like a crazy cloud.  The perfect storm shitting forth ice and hail and torment.  <br />
Her body became tense.  A twisted knot of a tree.  The eye craned away and in that moment she was able to manoeuvre herself into the edge of the darkness.  A fraction of a moment and then a light shone.  A beam scanning the crack.  A razor light.  And from her shadow she could see her brother.  His eyes full of tears in panic.  A fear so horrendous that it made her very soul scream.  The pool of light, the laser's edge, stopping a fraction before his nose.  There was a whispered ordered from above.  A rasp of the end.  A death call which became as loud as a blast from the apocalyptic horn.      And into the vacuum fell a speck of dust.  A solitary flake of snow falling from that hideous cloud above.  Turning, twisting, glinting in the ray of light.  Over and over in explicit symmetry.  An elongated flip flop down before a gentle reprise up.     A stillness, a corpse silence on the wind, the stop of a clock, a station in time and through the light, his eyes reddened by the fear and the dirt, welling up, crying for his sister to help, his little years feeling his end, streaking red with the blood of finality.  And as quick as the torch came it went black.  Snap, a click of the fingers gone.  Voices cursed and feet skulked away.<br />
The was long silence into which the corpse of the rat stank.  A retch of fear kicked the girl into action.  She reached the bag and tore it loose and dragged her brother into movement.  Above them came the sound of the little padding of four legs.  She knew immediately that it was a dog.  There was a commotion above.  The little boy frantically began to move forward.  She made for her sister and the bag.  She hefted them over beams.  She could hear scrabbling from the hole where the toilet had once stood, the hole into which they had absconded and then barking.  They had found their means of escape.<br />
The dog was in the hole.  She pushed her sister forward, then the bag, then the child.  The dog was yelping nearer.  Her bladder gave out.  She pushed her brother on.   The dog snapped its jaws on her ankle.  She scrambled her arms feeling for anything.  She did not scream.  The teeth dug in.  The boy was fighting forward.  Her hand found a long sharp splinter.  The dog was moving up her body.  Her knees.  Her waist.  She plunged the splinter forward and drove it deep into the dog's eye.  Warm blood and oculus exploded on her hand.   The dog became limp without a sound.  There were calls from above.  <br />
She couldn't hear what they called the animal.  She was fighting her body on.  One rafter, then two, then three.  Her brother had stopped.  His body quivered.  Her fingers stretched forward and found him and beyond him lay a chasm.  A drop through the wall down.  The space between this building and the next.  They both twisted their bodies, moving their feet to find the emptiness.  Only a child could do this.  The bulk of an adult would have been trapped.  Only their energy.  Only their size.  She dropped the bag down.  It slid scraping, plunging.  Soft bodied death into the well of their fear followed by the baby carrier.  They each found a foothold.  She tugged the little one towards her.  She was limp and heavy.  She held her tight with one hand.  Her brother reached out to her.  The three of them held in stasis.  She found his forehead with her lips and kissed him.  I love you, she whispered, like the great expanse of time and everything.  You are eternity to me.<br />
Voices and footsteps, the bald slayers above them.  <br />
You are the greatest climber in the world, she said.  Do not be afraid.<br />
One foot to the front, one foot to the wall behind and down they went, slipping the cliff and courting the fell.  Hands, feet, fingers bled.  Each aspect of their bodies controlling, digging into a gap, feeling for a way and reigning the drop.  Their descent swift.  The little one limp.  Scraping and banging.  Into the nothingness.  <br />
And then a crack, a splintered thud of an axe smashed the wooden floor above where they had been.  Where the dog lay dead.  A head poked into the hole with a flashlight.  Extraterrestrial eyes following it's blue scan.  Bald head resting in the blooded corpse of the animal.  Orders came like screeches.  There bodies angular mantises, on each other, over each other.  Swarming, cracking, smashing and ripping the boards under them.  A foot fell through the plaster below.  The body pulled off balance fell sideways, the head cocked to the side put the temple into a nail.  The ceiling opened up as if accepting its prey and the quarry thudded to the floor below.  Not a hand to aid him.  Not one.  All creatures focused on the job in hand.   Fingers tearing, flesh ripping.  The smell of the rat mingled with the raw meat of the dog and the acid rank of men's sweat.  <br />
The boy was crying.  Tears streaking the thick dust encrusting his face.  The girl was bleeding from her knees and the dog wound in her ankle.  The baby was weighing down.  Killing her.  Panic was filling her with an unearthly energy.  She was telling him not listen to just keep climbing down.  And all the time her feet kept slipping.  She had to rest.  <br />
Just keep going she told him.  Don't stop.  Don't stop.  <br />
He reached over to her and held her.  No.<br />
Go.<br />
No.<br />
I'll race you.<br />
All the way?<br />
All the way.<br />
The three of them pinned to the wall.  Above them Death in an angry frenzy at having lost a soul.   Ripping up the world and killing all in its path.<br />
Their feet felt their way down.  He held her up and she gritted her teeth to her pain and the slumped ballast of her sister.  A centimetre, then a metre.  Sliding.  Using their shoulders to break themselves.  Rubble breaking free and crashing to the depths.  The fear of the drop dissolved by the terror above.  </p>]]>
    </content>
</entry>

<entry>
    <title>BLOOD RUN 12</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/05/blood_run_12.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=126" title="BLOOD RUN 12" />
    <id>tag:www.xavierleret.com,2009://1.126</id>
    
    <published>2009-05-25T10:58:37Z</published>
    <updated>2009-07-12T09:29:50Z</updated>
    
    <summary>Skyte took his place opposite the journalist. He was eerily serene. He had been explaining the fertility of his cross bred sheep. Fecund was the word he chose to describe them. That there was no need to enforce breeding incentives....</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>Skyte took his place opposite the journalist.  He was eerily serene.  He had been explaining the fertility of his cross bred sheep.  Fecund was the word he chose to describe them.  That there was no need to enforce breeding incentives.  They were quite capable of going about it themselves.  The ram would never take no for an answer he said with a knowing public servant smile.  The baby kisser.  He himself had always been celibate.  Sexless.  Had never harboured any desires in this direction.  He observed nature's business.  You could say I am anthropologist.  Life interests me.</p>]]>
        <![CDATA[<p>The journalist smiled opposite.  They had worked together before.  He wrote for two publications and the interview would thus appear in two formats.  The first engaging the better educated and the second would reach a profoundly larger readership, in the multiple millions.  The first would contain figures and cross references to boost statements and the second would not.  Fundamentally each would re-iterate the other.  A reader of the first would never entertain a reader of the second.  Skyte on the other hand recognised the value of the both and generally supported the dummying down of his line.<br />
I don't want to bother people, said Skyte.  I am a reluctant politician.  I am too regularly distracted from my two loves.  The law and - did you know my sheep give birth three times every two years and on average have 1.8 lambs per pregnancy.  I am a victim of duty and destiny. <br />
The journalist diligently took down his words. And also noted that Skyte was of an indeterminate age.  A phrase that he felt erred on the side of youth and would thereby flatter the Legate.<br />
And Skyte went on.  I am portrayed as a hawk.  A man of action.  A purveyor of war.  But nothing can be more from the truth.  I see my role as that of a pastoral one.  Yes, my policies can be seen as harsh.  But it is protectionism in its most purist form.  I protect not only those immediately around me but our way of life.  If only it was enough to pass a law.  If only that would suffice.  But the human being is naturally rebellious.  It seeks out the cracks in a society's structure and chips it away and before you know it <br />
the building has collapsed.  Even the most loyal are prone to this.<br />
You are referring to Councillor Kratz?<br />
The Legate nodded.  Even my good friend Kratz.  We have enemies outside of the state.  And we have those within.  <br />
There was a knock at the door.  An anchorite entered and whispered into Skyte's ear.  The Legate excused himself.  Informing the journalist that he would return shortly.  He indicated that the Anchorite was at his disposal and if he wanted anything he only had to ask and then he left the room.<br />
He walked to the other end of the corridor and took a lift three floors to the investigation centre.  It was a large open plan floor populated by desks and screens and Anchorites moving silently in their gowns.  At the far end, at a desk sat a young girl nervously looking around the room.  As Skyte moved towards her men stood and bowed.  He ignored them.  He placed himself opposite the child, picked up the file on the desk and quickly scanned it.  <br />
The girl watched him.  His bald head shining in the light.  His thin face with sharp features.  When he looked at her he had black eyes.  No colour just the pupil.<br />
You know her?<br />
Yes sir.<br />
From school.<br />
Yes sir.  And because we live next door.<br />
Skyte swivelled on his chair to the desk behind him.  We have her parents?<br />
Yes, Legate.<br />
He turned back to her.  His black eyes watched her for a moment.  You know that your friends are in trouble.  <br />
Yes sir.<br />
And that we need to find them?<br />
Her eyes dropped to the floor.<br />
Do you know where they might have gone?  <br />
No sir.<br />
He reached out and took her by the chin and lifted her face up and looked into her eyes.  Are you sure?<br />
Yes sir.<br />
Would you say that you were her friend?<br />
Her best friend, sir.<br />
Then you would be helping them by letting us know where they are.<br />
He let her go and smiled at her for a moment.  Her eyes flicked around the room before returning to the floor.  The girl fidgeted.<br />
He swivelled around again.  Take her down stairs.  And then turning back to her he said, go with this man.  He will take you to see your parents.<br />
Will I be able to go home?<br />
He smiled.  He will need to ask you some more questions.  <br />
Skyte got up and walked to another table.  The Anchorite told the girl to come with him.  As she walked away she looked at Skyte.  He kept his back to her.  <br />
Sitting back down opposite the journalist he apologised for taking so long.  The left is advancing he said.  Only a man with a reputation for toughness can halt it.  He smiled.  There is a five thousand year old sculpture of a rams head.  It strongly represents the sheep on my property.  I have not seen these sheep in any other part of the world.  Apart from maybe a flock in Asia.  They are similar although not entirely the same.  <br />
Are you able to tell us about what it is Councillor Kratz is accused of?<br />
Skyte looked out of the window at the dusk dirge settling outside.  Kratz is a man of fine character.  I have worked with him for much of my career.  This business is a cause of great personal sadness.  He is man who for many many years I have called friend.  I cannot speak more highly of him.  Neither can I go into any great detail.  But I will say this.  The mere thought of what the councillor is accused of is death.  And we must smother those who, however minor an infraction, deviate.  We lead our fellows with reason.  Our enemies with terror.  To punish is clemency.  To pardon is barbarity.  Whatever the outcome.  Justice.   Justice will be seen to be done.<br />
Skyte looked into the distance for a long time.  I have a romanticised vision of life in rustic retirement.  My life is not an easy thing.  I have dedicated my existence to try and accomplish the goals that have been set forth.  And I must finish before I go back to the farm to take care of the cattle, to ride horses, to milk sheep.  To work on a tractor in the fields.</p>]]>
    </content>
</entry>

<entry>
    <title>BLOOD RUN 11</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/05/blood_run_11.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=125" title="BLOOD RUN 11" />
    <id>tag:www.xavierleret.com,2009://1.125</id>
    
    <published>2009-05-17T22:07:26Z</published>
    <updated>2009-07-12T09:29:29Z</updated>
    
    <summary>My son was born in the late morning of the 24th July. He came quickly. We were expecting an almighty fight. We had been warned that the first one puts up a struggle and is not so willing to appear....</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p><em>My son was born in the late morning of the 24th July.  He came quickly.  We were expecting an almighty fight.  We had been warned that the first one puts up a struggle and is not so willing to appear.  He was eager to live.  Rigorous from the outset.  I watched as my wife cracked and whipped during the final stages.  Possessed.  Ancient.  He came out of her as if he was shedding a former skin.  Life transforms itself in this way.  The old making way for the new.  The new intercensal of the old.</em></p>]]>
        <![CDATA[<p><em>As my wife slept we were both silent.  Him and I.  I could recognise myself in him as I held him in my arms.  I thought, too, that I saw my father in him.  The father who had always been a phantom to me.  There before me.  In the flesh.  Puny.  Vulnerable.  <br />
Newborns look both new and old.  <br />
Gazing on them is like looking into a flame.  Their faces flicker and change.  Timeless.  Time matting itself in them.  Fluctuating itself into the future.  The bloodline making itself known.  A moving portrait through dynasty.  The mark of my kind.  That was there.  A unity between what was and what will be.  <br />
I said we do not talk about good and evil.  These words are redundant.  Facile.  They strike no cords for any kind of future.  We strike them from the record.  Abolished.  Trashed with the monuments to former gods and monsters, spirits and eidolon, souls and saints, martyrs and ministers.  All that once stood outside on the brink of world.  The imagined dimensions.  Levelled.  And begun again. I told him - the faces of those perennial orders are crumbled and discarded.  All dust.  Books, pages, manuscripts, celluloid, erased and washed clean.  Museums ransacked, their contents vaporized.  There  is no past.  All that remains is the moment of beginning.  <br />
And in that moment of beginning I saw it all set to work again.</em></p>]]>
    </content>
</entry>

<entry>
    <title>BLOOD RUN 10.2</title>
    <link rel="alternate" type="text/html" href="http://www.xavierleret.com/2009/05/blood_run_102.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.xavierleret.com/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=124" title="BLOOD RUN 10.2" />
    <id>tag:www.xavierleret.com,2009://1.124</id>
    
    <published>2009-05-13T17:21:04Z</published>
    <updated>2009-07-12T09:29:09Z</updated>
    
    <summary>You scoured the area? Yes, Legate. Under every nook and cranny. Skyte&apos;s eyes had darkened. Everywhere. You looked everywhere? For four hours, Legate. And she has vanished? Yes. A child of eight years old. Into thin air?...</summary>
    <author>
        <name>Xavier Leret</name>
        <uri>www.xavierleret.com</uri>
    </author>
    
        <category term="BLOOD RUN" />
    
        <category term="Blood Run" />
    
        <category term="Novels" />
    
    <content type="html" xml:lang="en" xml:base="http://www.xavierleret.com/">
        <![CDATA[<p>You scoured the area?<br />
Yes, Legate.  Under every nook and cranny.<br />
Skyte's eyes had darkened.  Everywhere.  You looked everywhere?<br />
For four hours, Legate.<br />
And she has vanished?<br />
Yes.<br />
A child of eight years old.  Into thin air?</p>]]>
        <![CDATA[<p>The Anchorite's breath quivered.  Yes.<br />
Bald heads with eyes bowed stood ordered.  Long black gowns hung pleated to the ground.  The wind was silent.  Skyte walked the line stopping occasionally to regard a face.<br />
You believe in things that are other of this earth, Anchorite.  Perhaps this child is some sort of sprite?  A fairy?<br />
The Anchorite looked blank.<br />
Did you witness her walk through walls?  No?  Then can you tell me how a child, a nine year old girl can vanish from the face of this earth?  Four hours?  Four Hours. You looked?<br />
Yes, Legate.  She ran into a tenement and we lost her.<br />
In a puff of smoke?<br />
No Legate.<br />
The majority of the Anchorite fell where he stood.  The rest of him spread outwards.  Blood splattered faces.  Brain, bone and gak dripping off noses.  Abstract shades of red, textured with marrow, oiling the floor.<br />
Do not rest, said Skyte, until you have found the girl and her siblings.  He turned and walk back into the Civic Tower.  The line stood silent.  Pusillanimous, chicken hearted in a goose pimpled shudder.  <br />
Bort stepped forward.  Assumed command.  Geed them on.  Refused them permission to clean up.  Told them to let the day's failure dry on their skin.  Something like a war paint.  As it did it pulled their skin tight.    </p>

<p>.....</p>

<p>She came round.  The immediate world oozed.  Her breath a drunkards.  Heavy.  She reached out for a bit of wall.  Helped herself to her feet.  Standing she battled her head tilting forward.  Took a step.  And then another.  Paused.  Limped.  Paused.  Walked.  Looked back at the alley behind her.  Believing that this was from where she came.  The sun was less bright.  Almost tucking in for curfew.  The day was a patch work of black outs.  Memory frayed by unconsciousness.  There ahead she saw the wall over which she had scrambled.  It could only be it.  There were no other gaps in the corridor of darkness.  Without a box there was no way she could climb it.  She lent with her forehead against it.  Tried to recall how she had come to it.  What direction had she been running?  Through a fence from an an alley.  It must run parallel.  It must.  If I walk to the top and turn right I will find it.  From there it is not far to-  <br />
They are alone.  Alone.  The light is fading.  That room.  That room in the back will be coming alive.  <br />
She kicked herself on.  Their sweet little selves.  Her mother was breathing for her now.  Don't worry.  We will make it.  We have to.  She ran shouldering the wall to keep her up.  Scraping along.  Bruising.  Ahead the light less scintillant.  The day in the eupnea of death.  Arriving at the corner she turned right and knew she was back.  Could see the corner that he had arrested her.  And that was the place where the man fell.  And those windows crowding in.  All those faces in on the spectacle.  <br />
Picking up her pace she took the street.  To those that saw her she had the countenance of the condemned.  Her knee a wreck.  Hobbling.  Head down.  An inebriated stumble.  Blinkered out peripherals.  Racing the edge of dusk.  Eyes ahead.  Hoping that whatever is surely behind will not see her.  Was that a drone?  I'm sure I heard a Vee.  Knowing that they will have found her bed of trash.  The balcony.  The drop.  Yes they will have found that now.  And the man that watched her.  How many hours ago?  And the couple.  <br />
Knocking on doors.  Faces red with blood.  Asian temple demons.  Fiery Nosferatu.  This child, if you see her.  Has no home.  Orphaned.  Needs help.  But necrosis is on them.  No hiding it.  Forces just a block away.  Concentrated.  Retracing.<br />
The girl's heart.  Punched up face and crooked knee.  To the end and it is just a block away.  She trips.  Hands splay out and skin is taken from her chin.  And up.  Up she says.<br />
In the alley they are now.  Sensors picking up ectoplasmic rhythms.  She fell here.  Where are the Hawks?  Where are the Hawks?  Accelerated elsewhere.  Her saving grace.<br />
Opposite now the store.  The jackass still attached to the line in some animated argument.  Behind her the sun is orange and low in the sky.  Anchorites on her tail.  She crosses the street.  Not a soul ahead.  Her mother saying that she is blessed.  No eyes watching.  In a run to the end of the block.  Left into the alley as the figures appear.  Her foot slips into the darkness with not a moment to spare.  Into the smell of shit and vomit and piss.  Falling through the door.  Pitch black in there now.  Fumbles for the stairs.  Kicks something.  A body.  She falls to the floor.  The fetor of alcohol.  Urine.  Its on her.  The heavy snores of a drunk.  The stairs.  The stairs.  Faint light above.  Just enough to see by.  She pushes herself up.  Up.  To that landing.  The second floor.  Tumbles through the door frame into the corridor.  The third door.  On the right.  She pushes it.  Locked.<br />
Knock four times then three.  Four times then three.  In the silence.  Aphotic and sightless.  Four times and then three.  Open up.  Please.  Again.  Please open up.  Four times then three.<br />
Is that you?<br />
Yes.<br />
Open up.  Quick.<br />
The door gives and she pushes.  Big terrified eyes look at her.  She closes the door behind her.<br />
Where have you been?<br />
She hugs him.  Her little brother.  Hugging him as if age had added years to her.<br />
She's not well.  He starts to cry.<br />
It's alright, I'm here now. <br />
Below in the alley they are there.  Illuminating their way through the darkness.  <br />
She's a child.  She wouldn't come in here.  Blood smeared across their faces.  I have children and I can tell you they would never enter here. <br />
Looking at the drunk.  Lying in his soil they all doubted.  In the corner a bald head retched.  <br />
But she cannot vanish into nothing.  Not again.  It will be death for us if she has vanished again. <br />
They fan out.  The ground floor.  Groans and creaks with footsteps.  Saturated with the afterdarkers.  Life less life.  Infested.  Clammed.  Defecated.  Guano heavy.  The bald ones treading carefully not wishing for the spume to sully their shoes.<br />
No sign of them.  She would never run in there.  And what of the other two?  She would know better than to leave the little one here.<br />
But Bort made them go on.  You look up.  You search the whole building.  You saw her foot disappear into this alley and this is only place she could have gone.  The girl is on the run.  She is beyond fear.<br />
One flight of stairs up.  Ransacked doorless apartments.  The blooded faces beginning to clear with their sweat.  They move slowly with torches scanning.  The white lights pulled wide and view a haze.  The bones of furniture.  The abused dwelling of down and outs.  <br />
To the second floor.  And the corridor.  One doorless frame and to the end a single door.  Locked tight.<br />
They amass with whispers and sign and create their form at the door.  With a nod the door is kicked in and four bodies rush into the darkness. The small room, the sitting room with decrepit sofa, the kitchen, the bathroom, the room that had scared but held nothing.  Not a soul.<br />
I have something, a voice calls.  Look.  There.<br />
The torch spotlights a nappy.  An Anchorite bends and picks it up.  He slowly unwraps it.  The smell is overpowering.<br />
This is fresh.  They were here.  He looks to his fellows.  <br />
They were here.</p>]]>
    </content>
</entry>

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